• Deaf Explorer Producers of Two Hearts

    Ruth Montgomery is collaborating with CBSO musicians to improve their education practice for deaf young people and deaf audiences . Ruth will take them to Braidwood school for the Deaf, where they will experiment with the same vibrio tactile technology & composition that Deaf para equestrian Laurentia Tan is using to compete in the Dressage 2020 Olympics. Musician Evelyn Glennie will join Ruth & CBSO musicians for a performance that will use live streaming to bring the horse ballet of dressage to visualise the music for deaf children wearing sub pacs. Arts Council England have funded a live stream to schools across England so that deaf children can participate in the event at CBSO. Deaf explorer are currently networking with schools with Deaf Resource units and are gaining an enthusiastic response from teachers for projects led by deaf artists. It’s a project with many area’s of interest and opportunities for involvement. For more information about Ruth Montgomery’s Dressage R&D and a video http://audiovisability.com/?page_id=1537

    Ruth Montgomery’s Arts Council Funded R&D made music more accessible for Deaf para equestrian Laurentia Tan.
  • Dudley based, Deaf Leader Ishtiaq Hussain inspires Creative Black Country successful bid Spirit 2012 project “Shine a Light”
    Intro by Ishtiaq Hussain

    Deafscope Link is a Community Interest Charity which was established in 2019 to provide a range of opportunities and access for all.

    Our aim is to bring all diversity and equality in all Deaf and Hearing communities together to create better opportunities for all. We aim to empower and educate together to inspire the Deaf community in reaching their full potential.

    By achieving this we aim to provide a range of workshops, training, Performances, events, cultural festivals, opening doors for further education and breaking down barriers.

  • Involving local deaf participants in a film called Women in Lockdown

    Deaf Explorer supported Women & Theatre to bring deaf women’s stories into a new production about the intimate and personal affect of living with a pandemic. 

    Watch the film with subtitles more information on the theatre campanies website

  • Deaf Explorer supported Women & Theatre who are an award-winning Birmingham based theatre company and charity to bring deaf women’s stories into a new production about the intimate and personal affect of living with a pandemic.

  • Blown away, thank you Rinkoo for your powerful and gripping story
    photographer Pawel Gawronski

    If you would like to watch Rinkoo Barpaga’s online version of his performance Made In India Britain at Crystal Palace Festival on catch up, you can do that here:


    https://youtu.be/AxfKBjiTc70


    Made In India Britain
    Since leaving home in Birmingham, Rinkoo Barpaga has moved around England a lot, determined to find somewhere to settle. Along the way, he has encountered both racism and discrimination, and as a result he has been constantly asking himself the question, “where do I belong?” A British born, Rinkoo discovered at the age of three that not only was he required to tick the box, ‘ethnic minority,’ but also the box, ‘Deaf.’

    Made In India  Britain is an insight into one man’s life as he tries to fathom out exactly who he is and where he belongs, as he delves deep into past experiences to try and find clues which will ultimately help him realise his true self and a home he can finally call home.

    Rinkoo Barpaga ready to bring his dynamic style of story telling to online festivals around the UK, go ahead and contact deaf explorer.

  • Finn’s Unlimited R&D ends with an online chat with the artists and his creative team

    Haptic Fish Tank R&D – End of Project Sharing
    2-3pm, 21st October 2020

    Eventbrite link


    If you want to attend the online sharing, telling us why you interested, places are limited.

    Over the last 9 months deaf-blind artist Finn has been collaborating with The Institute of Coding and the Disruptive Media Learning Lab at Coventry University to explore how haptic and immersive technology can enable him to experiment in new modes of storytelling.  

    Finn will share his perspective of how an artist with disabilities navigates making work with a tech team. They will provide insight into why making work with artists like Finn is important. Richard Lane, our developer on the project, will share a 1st stage iteration of the visuals, Michael Louziou will talk about the research in relation to co-design and the wider team will share how Covid-19 has steered the development of the R&D and Finn’s future vision for the project. 

    This mixed reality R&D has been convened by Deaf Explorer CIC, artist Finn who is deaf and partially sighted, Creative Producer Harmeet Chagger-Khan and collaborators from the Disruptive Media Learning Lab and Institute of Coding at Coventry University and has been supported with funding from Unlimited.

  • Rinkoo’s proposal to Lux was inspired visually, The Diving Bell and the Butterfly by Julian Schnabel, Laura Obiols. Rinkoo Barpaga is a creative, adept at street photography capturing portraits of hidden people on the street. He has a keen visual eye, his work is a conversation and in his stand up comedy you can see his confidence in the hearing world. Rinkoo inspires deaf people, specifically disadvantaged deaf people of colour his award-winning documentary (double discrimination) was filmed in Handsworth Birmingham and interviewed young people: using urban sign language to describe race discrimination. Rinkoo is brave, and willing to use his art practice, to tackle to be subjects and confront audiences with difficult issues.

    Deaf Explorer think Rinkoo Barpaga is trending, amongst selection panels picking artists to receive micro grants. With imagination, Rinkoo combined his  micro commission from Unlimited with a film commission from Lux.

    Rinkoo’s Unlimited micro commission was to train with VV artist Zoey McWhinnie, his proposal to Lux was to make a short R&D film with Zoe to test the theme of “receive’, using VV and his artistry as a filmmaker and photographer.
    Rinkoo says, “VV can show character, back story and motivation or dreams better than sign language. I feel it is closer to grassroots deaf (where the use of finger spelling frowned upon) and urban sign language. It is the variation, brevity and creativity in VV that will allow me to present my work as a moving image and cinematic experience. I want to play with the idea of the audience (receiving) information through VV and the camera lens, directly communicating with an audience without sound, but with pictures formed by physical performance. I want to explore new digital performance for deaf audiences that are curious about what are artists doing at this time and seeking new experiences online.

  • Transforming Narratives Digital – Creating a visual dictionary of new signs representing lockdown and the pandemic in Birmingham and Karachi

    At time of writing this blog Karachi witnesses spike in COVID-19 cases and Birmingham has the ban on inter-household gatherings in private homes. In Summer 2020 Deaf Explorer CIC  successfully applied to Transforming Narratives digital, to create a visual dictionary of new signs emerging in the Deaf community representing lockdown and the pandemic in Birmingham and Karachi.

    The project funded by Culture Central and The British Council. The purpose of Transforming Narratives is for Cultural practitioners in Birmingham and Pakistan to work together and collaborate. Words, Signs and VV Photo Dictionary will be a collaboration between Ali Noori a teacher at Deaf Reach and photographer and story teller Rinkoo Barpaga. Together Rinkoo Barpaga and Ali Noori will create digital stories about lockdown using a mixture of photographs and sign language, to express with words and pictures the experience of lockdown in Pakistan. Rinkoo’s work will reveal the differences and similarities, creating a montage for digital distribution, as well as an online performance / provocation about local and global inequality during the Covid -19 crisis, using the digital content. Rinkoo Barpaga will utilise his expertise in video editing and cinematography, to make a very new style of work for social media, that blends performative elements of sign language and VV with photography.

  • Unlimited micro commission for Omeima Mudawi-Rowlings

    With the support of an Unlimited Micro Commission, Omeima Mudawi-Rowlings will make an experimental short film, that will tell a number of stories. It will rexamine the artists intersectionality through the lense of her father and amplified by Black Lives Matter. It will be a space on film that expose’s the issues from the perspective of a deaf female sudanese second generation migrant, stuck behind a glass ceiling and the leadership that my father attained in his life that feels currently out of the artists grasp.

    Omeima Mudawi-Rowlings says, “My collaborations with hearing artists and organisations have significantly developed my artistic process and found a context for my work: “Eye2Eye” was a collaborative visual arts project with glass artist Miranda Ellis. “The river runs through” at Fabrica Gallery, Brighton was a large-scale immersive installation, initially supported with an Unlimited R&D. I was commissioned by Artichoke: Procession, to work with a Brighton based, integrated Deaf and hearing community group to design and sew a banner for the suffragette commemoration March in London, June 2018.

    What Omeima Mudawi-Rowlings wants to achieve with the film

    All things trend toward disorder. My aim is to make an experimental short film, a number of stories will be distributed across the screen at the same time, depicting an energy that is constrained by the aesthetic of words, textiles and old photographs; that halt the narrative in a moment before moving on again to depict another instance of my consciousness, that will rexamine my intersectionality through the lense of my father and amplified by Black Lives Matter. It will be an animation that will bring together the forces in my life that resonate with a power that never decreases, even though I feel stuck behind a glass ceiling and the leadership that my father attained in his life feels currently out of my grasp.

    My fathers life, sadly ended two weeks ago. My father was a Sudanese public spokemans, interviewed on Television, and asked to comment on injustice, he was a judge and community leader. He was a keen photographer, I will use his pictures. My aunt has eight hours of interview footage with my father, I will extract his words and write them down. At the age of 12 my father listened to me, and for the benefit of my little brother we left Sudan for a better education and life as a deaf person. It was economic migration. I can not see my life as it is now, if I remained in Sudan, but my attachment is strong to the country that me and my father left. Black Lives Matters has affected me in an unimaginable way. I want to distill in the film the words used in the Black Lives Matters campaign to craete a space to see the issues from my perspective as a deaf female sudanese second generation migrant.

    When the 1 minute 30 second film complete, I will invite Musician Rihab Azar to compose and play the Oud and record a sound track.

  • Gathering Stories from Deaf People in the Black Country about the impact of Covid-19

    During these difficult times, Rinkoo Barpaga received a commission from Creative Black Country to represent the unique cultural perspective of Deaf people living in the Black Country that is embedded in our language of BSL.

    Tanvir: “My experience of the coronavirus lockdown has been that it has completely changed my life.” 

    Michael: “During lockdown I haven’t left the house at all, to go out for a walk or anything. I have just been at home for three months. I feel like I’m in prison.”

    Jayne: “The coronavirus pandemic has had a huge impact on me. I have reflected on what has changed, how life has changed, and how the whole world has changed.” 

    Sean: “It was a huge relief to finally use sign language properly again, and I desperately needed it. Once the pub closed, we all went out and stood under a street light and carried on chatting for hours! That’s what the Deaf community is all about.” 

    All the videos have subtitles. You can watch them on facebook.

    https://www.facebook.com/Deaf-Stories-from-the-Black-Country-collected-by-Rinkoo-110769773981064