Deaf Explorer contacting schools in Wolverhampton, and offering a free high-quality dance workshop with Billy Read. Billy wants to involve young deaf children and young deaf people with an interest in dance in his project at The Way Youth Zone during the October Half term. He hopes that by involving schools in the recruitment and audition process young people who are new to the Way will get involved in the show Like Mirabai on Friday 28 th October 2016.
Read an interview with Billy Read in Participate 4 – a magazine published by Foundation for Community Dance
The workshop is funded by Arts Council England. If you are a school would like to make a booking for an inclusive workshop at your school, please contact.
Like Mirabai – Dance Workshops – Fusion of Indian dance, street dance and sign language
Billy Read is leading Dance workshops at the Way, Wolverhampton for young people on Wednesday 28th September 7 – 8 pm and Thursday 29th September 6pm – 7 pm
The aim is to recruit and audition dancers for dance workshops for the October half term (24 – 28 October 2016). Billy Read and Giulia Marchetti will lead a dance workshop each day that will be attended by young people recruited through workshops at the Way and Schools in Wolverhampton. Together a new dance performance will be created by young dancers that will explore themes of oppression.
After the dance show by young people on Friday 28 October 2106 at The Way Youth Zone, Billy and Gulia will show strength in diversity by fusing the different characteristics of Urban & Hip Hop dance, and merge them with classical Indian theatre-dance to tell a story about deaf experience, oppression and discrimination. British Sign language will be embedded into the dance to make a multifaceted performance funded by Arts Council England.
Link to The Way Youth Zone
Artists Nao Masuda percussion, Lisa Harker – Painter & Rubbena Aurangzeb-Tariq – Visual Artist all collaborate with flautist Ruth Montgomery at Arlington Arts Centre and involve pupils from Mary Hare School for the Deaf, where Ruth studied as a child. The first steps of an innovative sound and image project, conceived by Ruth Montgomery and funded by Arts Council England.
“It does sound absolutely fascinating”, Lucy Galliard Director of Learning and Engagement, CBSO Continue reading
My name is Rinkoo Barpaga and I am Deaf and use British sign language. I am known as a Deaf stand up Comedian. I have a solo show that’s tell my story. It’s called “Am I Funny” I now want to tour the show again. Please book the show, audiences really like what I do. The show was presented in small venues and was nearly sold out in all but one. They include Arena Wolverhampton, Mac Birmingham and Tristam Bates Theatre Camden, London. The show lasts 1 hour 10 minutes. I use British Sign Language and the performance is interpreted into English – spoken word by an interpreter.
Rinkoo Barpaga is a deaf British Sign Language story teller. In 2012 he spent two weeks immersed in the American deaf story-telling and comedy scene, inspiring him to a new challenge; winning over deaf and hearing mixed audiences. In 2015 he received an Arts Council England Grant to take him back to America to seek his peers’ input on the new material. On returning to the UK, he created a story-telling performance, called,”Am I Funny”.
What the hell you talking about ! A dance project by Billy Read and Giulia Marchetti Funded by Arts Council England
West Midlands based disability guru, Alan McLean interviews Deaf dancer Billy Read about his Arts Council funded collaboration with Italian dance artist, Giulia Marchetti who can see the drama in British Sign Language and has the skills to bind the language into dance. Continue reading
Deaf Explorer organised a trip to see the British Art Show, in hope that they could respond at a later date with an intervention. The weekend in November was enjoyable but the artists were surprised at the lack of sub titles on the films, and the amount of film – especially as many deaf artists make film and now don’t apply to Arts Council England, so it all a bit confusing on many levels.
It was felt by the artists – it would be pretty easy to do a deaf person’s response because of the experience of zero access in November during our visit. The deaf poet Donna Williams (Deaf Fire Fly) made a brilliant deaf access audit poetry piece, which was a good creative response to the issues. I think people unsure that continuing to respond to the lack of access is what is wanted to be done with the proposed intervention, or fits with the intention, or is how deaf explorer want to represent themselves. They want to be contemporary artists and not access auditors of art shows. This important, especially when deaf explorer are having success attracting deaf artists who want to be contemporary artists first and foremost, but require deaf explorer to support them because they encounter discriminating barriers to the arts system, that’s historic and hopefully with Abid Hussain at the diversity helm of Arts Council England will change.